Percussion Show Solutions "Shake Well Before Use"
Page 2
Another approach is to look at the mallets in hand and see if they will work on both instruments or at least until another more appropriate mallet can be picked up. For example a bell mallet can be finessed to play a snare drum. Believe it or not with a little practice you can pull off a decent roll. At the very least, a simple Ump-Chick time pattern can be played with such a mallet.
Finally, the method I tend to gravitate towards combines a bit of both of the previously mentioned approaches. I might for example, turn a timpani mallet (wooden handle please!) around and play "time" on the hi-hat with one hand whilst grabbing another stick or mallet in anticipation of the next cue. Often times the part on the instrument can be "skeletally" played/covered and the audience , performers and MD won't notice or be concerned. Ultimately, the seamless shift (which is my goal) from instrument to instrument doesn't draw attention and will often lead to the comment "Wow, I can't believe there's only one percussionist!"
Offered above are some ideas you can try to see what works for you and your particular situation. Once the concepts are understood you may and should start to develop your own unique technique(s). After all "There's more than one way to skin a show" [phrase modified to conform to HUMANE SOCIETY regulations]
Percussion Show Solutions "Shake Well Before Use"
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